This agreement also requires that the remains be paid in accordance with subsequent guidelines and tariff calculations in accordance with the basic agreement, as soon as the residual requirements are met and payment is to begin. There are 6 types of theatrical agreements. All are determined by the budget: the Low Budget Moderate Project Agreement (MPA) covers non-episodic content productions that have been shot between $300,000 and $700,000 for the total value of the United States. The agreement must be executed by performers at least one week before any work. The MPA applies to films that are originally published in one of the following publications, but a first publication on one of the following points is not necessary: what exactly is a collective agreement? Collective bargaining is a kind of negotiation process between employers and a group of workers with the common goal of setting conditions and reaching agreement on the regulation of wages, working conditions, benefits and other aspects of workers` compensation and workers` rights. Because of the size and influence of the union, most major media companies have a collective agreement with SAG-AFTRA through the Association of Film and Television Producers (AMPTP). These include studios, production companies, commercial production companies and even individual producers. Producers and companies that sign a contract or letter of contract with the EU in their area of competence are referred to as “signatories”. For television work, the remnants begin as soon as a program is redeployed or published on video/DVD, pay TELEVISION, broadcast television, basic cable or new media. The residues are based on a gross revenue formula for all effects of free TV series. Background officers are not permitted to receive remnants for work performed under the SAG-AFTRA Basic And Television Agreements, unless the background Actor is re-enhanced to the interpreter category. If he/she is still talking about five lines or less, the remaining program fees are five lines or less of a program fee. If the substantive actor is revalued elsewhere in the interpreter category, the residual program fee is the main program tax.
The residues are based on formulas that take into account, for example. B of the contract that came into force during the year, the production time, the mode of production and the market on which the product appears. All performers recruited or valued under a main performance agreement whose performance remains in the finished product are entitled to leftovers. The substantive actors do not receive residues and are not entitled to leftovers, unless they are revalued as lead actors. All categories are subject to the existing basic agreement and the television broadcasting agreement. As part of the television agreement, actors and background actors are covered for their work on the shows that signed the SAG-AFTRA television agreement. As part of the television agreement, there is a required quota of 21 substantive actors, and for all non-union actors who are hired, and the 22nd and over productions of substantive actors should submit the corresponding report by Tft Hartley, accompanied by a headshot and a CV. SAG-AFTRA members can only work on a project if the studio, production company or producer has signed the corresponding SAG-AFTRA agreement.
The elusive elusiveness could result in hefty fines. While this article attempts to lay the groundwork for the common treaties, it is by no means a complete summary or a complete list of SAG-AFTRA agreements.